I think it’s important to get as many of the details right
as you can, but to avoid bogging down your story with too many unnecessary ones.
A little historical detail adds flavor to the story, especially for those who
like the history as well as the romance. Too much detail makes the story dry
and flavorless. I quit reading one historical romance 90% of the way through
because the author spent page after page detailing the wedding preparations of
the time period. She had clearly done her research, but it ruined an otherwise
good story.
In the end, no author is likely to get the details 100% right
100% of the time. Besides, history is one of those areas where interpretations
vary widely. In the end, you just have to do your best, forgive yourself for a
few errors and hope your story is good enough to appeal to readers despite
them.
I thought I’d share how I go about my research. While this
doesn’t necessarily fit everyone’s style, it works for me and maybe it will
help others find what works for them.
Step 1 – Read, read, read. While most romance
authors spend the bulk of their time reading fiction, and probably limit it to
romantic fiction at that, I spend just as much time reading history books. Not
only do I become more knowledgeable about the time period, I get a lot of plot
ideas from these books. At this moment, I’m only a third of the way through
Harlow Giles Unger’s biography of John Hancock and I already have two more stories plotted out.
Step 2 – Write.
At this stage, I’ll have a plot that I want to play with and some idea of what
happens in the story. I will spend a day or two writing out what I call a "sketch" of 10,000 – 20,000 words. This sketch forms the basis for a novel of
90,000 – 100,000 words.
The sketch starts with some basics such as a thorough
description of the characters, both physical and motivational. Then, I go on to
summarize chapter by chapter, sometimes dipping in as far as writing actual
dialogue and sometimes just skimming the surface so I can get the basic idea
down and flesh it out later. Often, I write in half sentences with atrocious
punctuation as I’m only writing for myself at this stage. Most likely, it would
look like gibberish to someone else.
I don’t worry much about getting the facts right at this
point. For example, I’m working on a book that is at this stage right now. I
have the entire sketch written, but I’m not quite sure if I have the time
period right or the details. As usual, my novel is set in late 18th
Century America. The backdrop for the plot involves the smuggling of goods
during prior to the Revolution. I know it has to be set sometime
between about 1764 and 1774, and I’m also thinking Rhode Island. However, as I
do more research, I will settle on the dates and locations that best fit the
story line.
Step 3 – Research.
Now, I’m looking at the big picture research and reading more history books to
learn more about the actual details that might play into the story. Even though
I got two more plot ideas from the John Hancock biography, I originally started
reading it so I could learn more about how the colonials dealt with the boycott
of British goods as it plays into the plot of the story I just mentioned. I
have another book about smuggling in pre-revolutionary America that I will be
reading next.
I see this as the most dangerous stage as it’s easy for me
to get so bogged down in the research that my manuscript never gains any
traction. I gave myself until the end of August to indulge in research before
getting serious about writing.
Step 4 – Write. Once
I have a better handle on the details, chances are good some of the plot in my
sketch will change. I’ll make a few quick changes, but not obsess about it too
much before I start fleshing the sketch out into a full blown manuscript.
I don’t do too much research at this stage unless it's
something like a quick check of Dictionary.com to see if a word or phrase I want
to use was around at the time or a check of Wikipedia or some other quick
resource to verify a date.
Step 5 – Fact check.
This is the final stage, and while it sounds easy it’s probably the longest stage.
Every time I go through a manuscript to get it ready for the publisher, I’ll
spot little details that I want to check and recheck. For example, in the
opening chapter of Le Chevalier (download it here), le Chevalier de Mont Trignon
and the Marquis de Lafayette are at a ball in Philadelphia. While Mont Trignon
is a fictional character, the Marquis is not. I must have checked and rechecked
the dates of his arrival in Philadelphia and the details leading up to his
enlistment a dozen times before I was satisfied.
In the end, I do a lot of research for my novels, but I try
not to let it slow me down. Even if the genre is not historical, I’m sure all
authors do at least some research. I’d be curious to hear how others go about making
sure they get the details right.
MJ
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